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Playing Songs in the Theatre of Heaven: An Interview with England in 1819

In Uncategorized on October 6, 2011 at 8:42 pm

[This interview was conducted by both Emily Vega and Monica Garza.]

Emily and I had first seen England in 1819 at a show at the Fitzgerald’s in Downtown Houston. We had heard of them from Featherface (whom we had gone to see that night) and I saw their music video for “Trophy Sixty-One” on YouTube a couple of days before. Their music is very hauntingly beautiful and definitely a successful experiment in destroying musical conventions and creating a sound that speaks to the creativity and innermost thought processes of the band as a whole. After hearing some of their songs online, I was convinced I definitely would stay to see them play. I did not regret this decision whatsoever. I already thought England in 1819 was pretty great, but England in 1819  live was an incredibly different story. They were amazing. Emily and I stared at each other in awe periodically throughout their performance. Zuly’s operatic vocals meshed with Andrew’s melancholy crooning was one of the most beautiful things I had ever heard. Their wide array of instruments wasn’t to be overlooked either.

Imagine a Holy War about to happen. Angelic wings beating furiously, bows being drawn. England in 1819 is a theatre in Heaven. Their music is the battle song. England in 1819 is like nothing I’ve ever heard, and it’s incredible in this case. Immaculate, even. Sounds come from instruments I’ve only ever heard in the orchestra, and I hear it from the small Fitzgerald’s stage in Houston. I can only stare in awe and astonishment.

Since all of England in 1819 resides in Louisiana, we conducted an email interview. Don’t be fooled, however. Despite such a cold mode of communication, Andrew is able to convey his passion for what he does.

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